tyminko(at)gmail.com | |
1972 |
Chernigov, Ukraine |
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Lives and works in Amsterdam, NL |
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Education |
2000-05 |
Academy of Media Arts, Cologne, Germany by Prof. David Larcher, Prof. Anthony Moore, Prof. Dr. Siegfried Zielinski |
1999 |
Kunstakademie Düsseldorf, guest student at Gerhard Merz class |
1987-91 |
Glebov Art College Minsk, Belarus |
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2020 |
Co-founder and editor of Cultprotest.me, а platform for visual resistance to dictatorship in Belarus. |
2017 |
Co-founder of pxFlux, a platform for the exhibition, promotion, distribution and collection of time based, digital art. |
2005 |
Co-founder of an art group Revision (Your Favorites) |
2004 |
Nam June Paik Award – International Media Art Prize NRW, the Art Foundation NRW / Promotional Award |
1997 |
Co-founder of an art group Bolek & Lolek |
Lectures and workshops at NYU Berlin, Gerrit Rietveld Academie Amsterdam, European Humanities University Vilnius, National Center of Contemporary Arts Minsk, Art Center "Ў" Minsk. | |
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Selected Exhibitions |
2021 |
Mystetskyi Arsenal, Kyiv, UKR, EVERY DAY. ART. SOLIDARITY. RESISTANCE (co-curator) |
2020 |
PuntWG, Amsterdam, NL, Not LESS-MATERIAL in frame of A Matter of (In)digestions festival |
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Arti et Amicitiae, Amsterdam, NL, BELARUS // ART OF RESISTANCE |
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ROZENSTRAAT – a rose is a rose is a rose, Amsterdam, NL, 2020 |
2019 |
Platform Art-Zavod, Kyiv, UKR, Be careful with this ax, Eugene |
2018 |
Contemporary Art Gallery Ў, Minsk, BY, ZBOR In Progress |
2017 |
The Window, Laboratoire d’expérimentations artistiques en milieu urbain, Paris, FR, '939PIX' |
Re:Voir, The Film Gallery, Paris, FR | |
Centre of Contemporary Art, Torun, PL, 'White-Red-White' | |
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Koszyki Hall, Warsaw, PL, 'Camouflage' |
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WRO17 Media Art Biennale, Renoma Department Store, Wroclaw, PL, 'OS (Systemic Operations)' |
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Georgian National Museum Tbilisi History Museum, Tbilisi, GE, 'Space of Diffusion' |
2016 |
Galerie im Körnerpark, Berlin, DE, 'Ein Lichtarchiv aus der Zukunft. Illumination im Körnerpark' |
Galeria Arsenal, Bialystok, Poland, 'Overcoming Chaos' | |
Foundation IZOLYATSIA. Platform for Cultural Initiatives, Kiev, Ukraine, 'Zbor. Belarusian Art Movement' | |
2015 |
Gallery Arsenal, Bialystok, Poland, 'Zbor. Constructing Archive' |
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NCCA, Kaliningrad, Russia, 'Space of Diffusion' |
2014 |
Goethe-Institut/CCA, Minsk, Belarus, 'Projector' an opera-lecture |
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CCA, Minsk, Belarus, 'Suma Sumarum' |
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Gallery Ў, Minsk, Belarus, 'Pixeltrance or Expressionistic Minimalism on a Subpixel Level' performance |
2013 |
De Nederlandsche Bank, Amsterdam, Netherlands, '939 Picture Elements'. |
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M4gastatelier , Amsterdam, Netherlands, screening. |
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Punt WG, Amsterdam, Netherlands, 'Total Recall' |
2012 |
Amstel 41 project space, Amsterdam, Netherlands, '-o-l-o-g-y' |
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Rumyantsev-Paskevich Palace & Park Ensemble. Gomel, Belarus, 'Palace Complex' |
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The Elizabeth Foundation for the Arts, New York, USA, 'Sound Of Silence: Art During Dictatorship' |
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Plant Horizont, Minsk, Belarus, 'Zero Radius, Art Ontology Of The 00S' |
2011 |
Zachęta National Gallery of Art, Warsaw, Poland, 'Opening The Door? Belarusian Art Today' |
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Zeemanshuis, Amsterdam, Netherlands, 'Betweenheavenandhighwater' |
2010 |
Contemporary Art Centre, Vilnius, Lithuania, 'Opening The Door? Belarusian Art Today' |
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Mediations Biennale, Poznan, Poland, 'Erased Walls' |
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Museum Hof Van Busleyden, Mechelen, Belgium, "Who's Afraid Of The Museum?" |
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Gallery Leonhard Ruethmueller Contemporary Art, Basel, Switzerland, 'The Wall Is Alive' |
2009 |
MOCA Taipei, Taiwan, 'The Simple Art Of Parody' |
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Gallery Leonhard Ruethmueller Contemporary Art, Basel, Switzerland, 'Your Favorites' |
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Center of Arts Mystetskyi Arsenal, Kiev, Ukraine, 'A Spires Embers' |
2008 |
Gallery Podzemka, Minsk, Belarus, 'Good-By' |
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Gallery Arsenal, Bialystok, Poland, 'Belarusian Perspectives' |
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Temporary Art Space Für Fortgeschrittene, Berlin, Germany, 'Good-By' |
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Han Ji Yun Contemporary Space, Beijing, China, 'RCS' |
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Bereznitsky Gallery, Berlin, Germany, 'Your Favorites' |
2007 |
Bereznitsky Gallery & Gallery Boccara, New York, USA |
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Altstadtherbst Kulturfestival, Düsseldorf, Germany |
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Bereznitsky Gallery, Kiev, Ukraine |
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Bereznitsky Gallery, Berlin, Germany, 'Revision II' |
2006 |
Museum of Applied Art, Cologne, Germany, 'Beguiling Orpheus' live opera performance |
2005-06 |
gallery HALLE 6, Düsseldorf, Germany, 'Co-Operative Experience' |
2005 |
BBK Kunst-Forum, Düsseldorf, Germany, 'Revision Fünf weißrussische Künstler und Russische Avantgarde' |
2004 |
Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 'The Cosmic Egg' parallel programme for the exhibition 'Die Thraker' |
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17th European Media Art Festival 'Gotoandstop', DGB-Haus, Osnabrueck, Germany |
2003 |
Facade video projections GigaCenter, Rudolfplatz, Köln, Germany, '5zu1' |
2002 |
Volksgarten Orangerie, Cologne, Germany, 'Orfeo Ed Euridice (v.2.0)'' live opera/video performance |
2001 |
Center for Curatorial Studies at Bard College, NY, USA, 'Beyond The Sentence' |
1999 |
Spektakulum, Dusseldorf, Germany, 'Echo Viruses & Lilian Maria' concert - video projection |
1998 |
Academy of Art, Munchen, Germany, 'Echo Viruses' concert - video installation |
1997 |
gallery „Sixth Line“, Minsk, Belarus, 'Todesschaft' |
1995 |
Belarussian Union of Friendship and Cultural Connections with Foreign Countries, Minsk, Belarus, 'The House Of People‘S Friendship' |
1994 |
Republican Gallery of Artists Union, Minsk, Belarus, 'Liebschaft' |
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Festivals |
2020 |
A Matter of (In)digestions Art Festival, Amsterdam, NL. |
2017 |
Festival des Cinémas Différents et Expérimentaux, Paris, France (jury member) |
Virtualities And Realities, RIXC Art Science Festival (2nd Open Fields conference), Riga, Latvia | |
WRO 2017 Media Art Biennale, 'Draft Systems', Wroclav, Poland | |
2003 |
The 1st Transchina Video Art Festival, Beijing, Dalian, Shenyang, Haerbin, Shijiazhuang and Guangzhou, China |
Art in General‘s 5th Annual Video MarathonNew York, USA | |
2002 |
Video Zone, the 1st International Video Art Biennial in IsraelTel Aviv, Israel |
Hafenlichtspiele: European Media Art TourUeckerplatz, Düsseldorf-Medienhafen, Germany | |
The First Rotterdam V.H.S. FestivalHet Wilde Weten, Rotterdam, Netherlands | |
2001 |
WRO 01 Media Art Biennale, Wroclav, Poland |
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transmediale.01 international media art festival (“new media art in Belarus“ presentation) Berlin, Germany |
2000 |
Social Mutiny, a social and cultural evening with video, music and live art Stadsteatern, Stockholm, Sweden |
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Projections, an international video-art and experimental film festival Minsk, Belarus |
1999 |
17th World Wide Video Festival Amsterdam, Netherlands |
1997 |
Ostranenie 97 The International Electronic Media ForumDessau, Germany |
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WRO 97 Media Art Biennale, Wroclav, Poland |
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Selected Publications |
2017 |
Festival des Cinémas Différents et Expérimentaux. Catalogue, Paris, France |
2015 |
pARTisan, almanac of Belarusian contemporary art №27, 'Projector. Opera-lecture in 3 parts on evaporation of visual arts, on virus survival strategies and on musical notation’, Minsk, Belarus |
2012 |
pARTisan, almanac of Belarusian contemporary art №21, APOLLO AND DIONYSUS AT SUNSET special edition, Minsk, Belarus |
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MASTACTVA (THE ART), 6'2012, Spatial Metamorphosis of the 'Horizont', ISSN 0208-2551, Minsk, Belarus |
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pARTisan, almanac of Belarusian contemporary art №19, p.32,33, Minsk, Belarus |
2011 |
CONTEMPORARY BELARUSIAN ART – ANEW, a book by Krzysztof Stanisławski, ISBN 978-83-62962-03-7, Opolgraf SA, Opole, Poland |
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VIER INTERVIEWS, Sergei Kiriushtshenko, Robert-Bosch-Stiftung, Minsk, Belarus |
2010 |
OPENING THE DOOR? catalogue, ISBN 978-9986-957-48-5, CAC, Vilnius, Lithuania |
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MEDIATIONS BIENNALE ERASED WALLS catalogue, ISBN 978-83-931052-7-4, Poznan, Poland |
2009 |
MASTACTVA (THE ART) magazine, 9'2009, Larisa Mikhnevich, PAVETRA I ZIAMLI UZHO NIAMA (TIME AND SPACE ARE NOT ORIGINAL), ISSN 0208-2551, Minsk, Belarus |