| tyminko(at)gmail.com | |
|
1972 |
Chernihiv, Ukraine |
|
|
Lives and works in Amsterdam, NL |
|
|
Education |
|
2000-05 |
Academy of Media Arts, Cologne, Germany by Prof. David Larcher, Prof. Anthony Moore, Prof. Dr. Siegfried Zielinski |
|
1999 |
Kunstakademie Düsseldorf, guest student at Gerhard Merz class |
|
1987-91 |
Glebov Art College Minsk, Belarus |
|
|
|
|
2020 |
Co-founder and editor of Cultprotest.me, а platform for visual resistance to dictatorship in Belarus. |
|
2017 |
Co-founder of pxFlux, a platform for the exhibition, promotion, distribution and collection of time based, digital art. |
|
2005 |
Co-founder of an art group Revision (Your Favorites) |
|
2004 |
Nam June Paik Award – International Media Art Prize NRW, the Art Foundation NRW / Promotional Award |
|
1997 |
Co-founder of an art group Bolek & Lolek |
| Lectures and workshops at NYU Berlin, Gerrit Rietveld Academie Amsterdam, European Humanities University Vilnius, National Center of Contemporary Arts Minsk, Art Center "Ў" Minsk. | |
|
|
Selected Exhibitions |
|
2025 |
Weltkunstzimmer, Dusseldorf, DE, Charity Projekt EU UA (co-curated antiwarcoalition space) |
|
2024 |
Free Belarus Museum, Warsaw, PL, Ales Pushkin AFTERLIFE |
|
|
Theatermuseum, Düsseldorf, DE, PAVETRA / LUFT - Multimediale Performance |
|
|
Karlsruher Schloss, Karlsruhe, DE, Schlosslichtspiele. Sense Of Safety On The Antiwar Day (+ co-curated) |
|
|
YermilovCentre, Kharkiv, UA, and 28 other locations, Sense Of Safety. expanded exhibition (co-curated) |
|
|
FramerFramed, Amsterdam, NL, Stream Art Day. A Hybrid event with THE VOID, UKRAiNATV & YermilovCentre (co-curated, presented) |
|
|
ZKM, Karlsruhe, DE, Sense Of Safety @ ZKM. Expanded exhibition. (co-curated, video installation and works adaptation) |
|
|
Amerikahaus, München, DE, Music For Belarus @ Minskxminga Video projection |
|
2023 |
Fashion Institute of Technology, New York, US, Pattern, the Grid, and Other Systems |
|
|
Dymchuk Gallery, Kyiv, UA, The International Coalition of cultural workers in solidarity with Ukraine (co-curated) |
|
|
Weltkunstzimmer, Dusseldorf, DE, 𝖭̶𝖨̶𝖢̶𝖧̶𝖳̶ Unser Krieg (co-curated) |
|
|
Maenad Collective, New York, US, Sovereignty Reimagined (co-curated) |
|
|
Messe Karlsruhe, Halle 1, Karlsruhe, DE, antiwarcoalition.art @ Art Karlsruhe (curated antiwarcoalition space) |
|
|
BEELD & GELUID, Hilversum, NL, Are You Here With Us? (co-curated) |
|
|
The Grey Space in the Middle, Den Haag, NL, Music For Belarus concert. Multichannel video projection |
|
2022 |
Stationsplein, Enschede, NL, antiwarcoalition.art Screening On Actifist Saturday @Gogbot Festival (co-curated, presented) |
|
|
Documenta Halle, Kassel, DE, Documenta 15. antiwarcoalition.art One Day Exhibition: Non-Human Agents During The War (co-curated) |
|
|
ZKM, Karlsruhe, DE, antiwarcoalition.art @ ZKM One Week Screening (co-curated) |
|
|
DOMIE, Poznan, PL, 𝐂𝐨𝐚𝐥𝐢𝐭𝐢𝐨𝐧 / Коаліцыя / 𝐊𝐨𝐚𝐥𝐢𝐜𝐣𝐚 / Кааліцыя (curated antiwarcoalition space) |
|
|
Kino Rinia, Prishtina, XK, Manifesta 14, To Appear Is To Matter. 2-day programme with the antiwarcoalition (co-curated screening program) |
|
|
Goethe-Institut, Rome, IT, ECF The European Pavilion in Rome. antiwarcoalition. Patriarchy And War (co-curated antiwarcoalition space) |
|
2021 |
The Grey Space in the Middle, Den Haag, NL, Screams of the Silenced |
|
|
Studio 150 Bethlehemkerk, Amsterdam, NL, Video projection for benefit concert Music For Belarus |
|
|
Krakowskie Przedmieście 6 (glass display case), Lublin, PL, Open City. War Art |
|
|
Mystetskyi Arsenal, Kyiv, UKR, EVERY DAY. ART. SOLIDARITY. RESISTANCE (+ co-curator) |
|
2020 |
Y gallery (Ў), Minsk, BY, Touching Distance |
|
|
PuntWG, Amsterdam, NL, Not LESS-MATERIAL in frame of A Matter of (In)digestions festival |
|
|
Arti et Amicitiae, Amsterdam, NL, BELARUS // ART OF RESISTANCE (+ co-curator) |
|
|
ROZENSTRAAT – a rose is a rose is a rose, Amsterdam, NL, 2020 |
|
2019 |
Platform Art-Zavod, Kyiv, UKR, Be careful with this ax, Eugene |
|
2018 |
Contemporary Art Gallery Ў, Minsk, BY, ZBOR In Progress |
|
2017 |
The Window, Laboratoire d'expérimentations artistiques en milieu urbain, Paris, FR, 939PIX |
| Re:Voir, The Film Gallery, Paris, FR | |
| Centre of Contemporary Art, Torun, PL, White-Red-White | |
|
|
Koszyki Hall, Warsaw, PL, Camouflage |
|
|
WRO17 Media Art Biennale, Renoma Department Store, Wroclaw, PL, OS (Systemic Operations) |
|
|
Georgian National Museum Tbilisi History Museum, Tbilisi, GE, Space of Diffusion |
|
2016 |
Galerie im Körnerpark, Berlin, DE, Ein Lichtarchiv aus der Zukunft. Illumination im Körnerpark |
| Galeria Arsenal, Bialystok, Poland, Overcoming Chaos | |
| Foundation IZOLYATSIA. Platform for Cultural Initiatives, Kiev, Ukraine, 'Zbor. Belarusian Art Movement' | |
|
2015 |
Gallery Arsenal, Bialystok, Poland, Zbor. Constructing Archive |
|
|
NCCA, Kaliningrad, Russia, Space of Diffusion |
|
2014 |
Goethe-Institut/CCA, Minsk, Belarus, Projector an opera-lecture |
|
|
CCA, Minsk, Belarus, Suma Sumarum |
|
|
Gallery Ў, Minsk, Belarus, Pixeltrance or Expressionistic Minimalism on a Subpixel Level performance |
|
2013 |
De Nederlandsche Bank, Amsterdam, Netherlands, 939 Picture Elements. |
|
|
M4gastatelier , Amsterdam, Netherlands, screening. |
|
|
Punt WG, Amsterdam, Netherlands, Total Recall |
|
2012 |
Amstel 41 project space, Amsterdam, Netherlands, -o-l-o-g-y |
|
|
Rumyantsev-Paskevich Palace & Park Ensemble. Gomel, Belarus, Palace Complex |
|
|
The Elizabeth Foundation for the Arts, New York, USA, 'Sound Of Silence: Art During Dictatorship' |
|
|
Plant Horizont, Minsk, Belarus, Zero Radius, Art Ontology Of The 00S |
|
2011 |
Zachęta National Gallery of Art, Warsaw, Poland, Opening The Door? Belarusian Art Today |
|
|
Zeemanshuis, Amsterdam, Netherlands, Betweenheavenandhighwater |
|
2010 |
Contemporary Art Centre, Vilnius, Lithuania, Opening The Door? Belarusian Art Today |
|
|
Mediations Biennale, Poznan, Poland, Erased Walls |
|
|
Museum Hof Van Busleyden, Mechelen, Belgium, "Who's Afraid Of The Museum?" |
|
|
Gallery Leonhard Ruethmueller Contemporary Art, Basel, Switzerland, The Wall Is Alive |
|
2009 |
MOCA Taipei, Taiwan, The Simple Art Of Parody |
|
|
Gallery Leonhard Ruethmueller Contemporary Art, Basel, Switzerland, Your Favorites |
|
|
Center of Arts Mystetskyi Arsenal, Kiev, Ukraine, A Spires Embers |
|
2008 |
Gallery Podzemka, Minsk, Belarus, Good-By |
|
|
Gallery Arsenal, Bialystok, Poland, Belarusian Perspectives |
|
|
Temporary Art Space Für Fortgeschrittene, Berlin, Germany, Good-By |
|
|
Han Ji Yun Contemporary Space, Beijing, China, RCS |
|
|
Bereznitsky Gallery, Berlin, Germany, Your Favorites |
|
2007 |
Bereznitsky Gallery & Gallery Boccara, New York, USA |
|
|
Altstadtherbst Kulturfestival, Düsseldorf, Germany |
|
|
Bereznitsky Gallery, Kiev, Ukraine |
|
|
Bereznitsky Gallery, Berlin, Germany, Revision II |
|
2006 |
Museum of Applied Art, Cologne, Germany, Beguiling Orpheus live opera performance |
|
2005-06 |
gallery HALLE 6, Düsseldorf, Germany, Co-Operative Experience |
|
2005 |
BBK Kunst-Forum, Düsseldorf, Germany, 'Revision Fünf weißrussische Künstler und Russische Avantgarde' |
|
2004 |
Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, The Cosmic Egg parallel programme for the exhibition Die Thraker |
|
|
17th European Media Art Festival Gotoandstop, DGB-Haus, Osnabrueck, Germany |
|
2003 |
Facade video projections GigaCenter, Rudolfplatz, Köln, Germany, 5zu1 |
|
2002 |
Volksgarten Orangerie, Cologne, Germany, Orfeo Ed Euridice (v.2.0) live opera/video performance |
|
2001 |
Center for Curatorial Studies at Bard College, NY, USA, Beyond The Sentence |
|
1999 |
Spektakulum, Dusseldorf, Germany, Echo Viruses & Lilian Maria concert - video projection |
|
1998 |
Academy of Art, Munchen, Germany, Echo Viruses concert - video installation |
|
1997 |
gallery "Sixth Line", Minsk, Belarus, Todesschaft |
|
1995 |
Belarussian Union of Friendship and Cultural Connections with Foreign Countries, Minsk, Belarus, The House Of People's Friendship |
|
1994 |
Republican Gallery of Artists Union, Minsk, Belarus, Liebschaft |
|
|
Festivals |
|
2020 |
A Matter of (In)digestions Art Festival, Amsterdam, NL. |
|
2017 |
Festival des Cinémas Différents et Expérimentaux, Paris, France (jury member) |
| Virtualities And Realities, RIXC Art Science Festival (2nd Open Fields conference), Riga, Latvia | |
| WRO 2017 Media Art Biennale, Draft Systems, Wroclav, Poland | |
|
2003 |
The 1st Transchina Video Art Festival, Beijing, Dalian, Shenyang, Haerbin, Shijiazhuang and Guangzhou, China |
| Art in General's 5th Annual Video MarathonNew York, USA | |
|
2002 |
Video Zone, the 1st International Video Art Biennial in IsraelTel Aviv, Israel |
| Hafenlichtspiele: European Media Art TourUeckerplatz, Düsseldorf-Medienhafen, Germany | |
| The First Rotterdam V.H.S. FestivalHet Wilde Weten, Rotterdam, Netherlands | |
|
2001 |
WRO 01 Media Art Biennale, Wroclav, Poland |
|
|
transmediale.01 international media art festival ("new media art in Belarus" presentation) Berlin, Germany |
|
2000 |
Social Mutiny, a social and cultural evening with video, music and live art Stadsteatern, Stockholm, Sweden |
|
|
Projections, an international video-art and experimental film festival Minsk, Belarus |
|
1999 |
17th World Wide Video Festival Amsterdam, Netherlands |
|
1997 |
Ostranenie 97 The International Electronic Media ForumDessau, Germany |
|
|
WRO 97 Media Art Biennale, Wroclav, Poland |
|
|
Selected Publications |
|
2017 |
Festival des Cinémas Différents et Expérimentaux. Catalogue, Paris, France |
|
2015 |
pARTisan, almanac of Belarusian contemporary art №27, 'Projector. Opera-lecture in 3 parts on evaporation of visual arts, on virus survival strategies and on musical notation', Minsk, Belarus |
|
2012 |
pARTisan, almanac of Belarusian contemporary art №21, APOLLO AND DIONYSUS AT SUNSET special edition, Minsk, Belarus |
|
|
MASTACTVA (THE ART), 6'2012, Spatial Metamorphosis of the Horizont, ISSN 0208-2551, Minsk, Belarus |
|
|
pARTisan, almanac of Belarusian contemporary art №19, p.32,33, Minsk, Belarus |
|
2011 |
CONTEMPORARY BELARUSIAN ART – ANEW, a book by Krzysztof Stanisławski, ISBN 978-83-62962-03-7, Opolgraf SA, Opole, Poland |
|
|
VIER INTERVIEWS, Sergei Kiriushtshenko, Robert-Bosch-Stiftung, Minsk, Belarus |
|
2010 |
OPENING THE DOOR? catalogue, ISBN 978-9986-957-48-5, CAC, Vilnius, Lithuania |
|
|
MEDIATIONS BIENNALE ERASED WALLS catalogue, ISBN 978-83-931052-7-4, Poznan, Poland |
|
2009 |
MASTACTVA (THE ART) magazine, 9'2009, Larisa Mikhnevich, PAVETRA I ZIAMLI UZHO NIAMA (TIME AND SPACE ARE NOT ORIGINAL), ISSN 0208-2551, Minsk, Belarus |